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澳洲大师【黑山专辑】国内接受订购
[日期:2008年12月14日┋来源:草堂作坊┋阅读:4059次┋推荐:★★★★★]

澳洲口琴大师Tony Eyers《黑山之琴》专辑国内接受订购... 草堂作坊发售,连接进入...
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Fiddle tunes underpin Irish and American tradtional music. Over time, only the best tunes survives and enter the standard repertoire. This forms a common language, which is shared by musicians everywhere. Fiddle tunes are played on many instruments, for example the mandolin, guitar and banjo in Bluegrass, and whistle, pipes and accordion in the Irish tradition.

The diatonica harmonica, however, is konwn mostly as a blues instrument, and is not often used for fiddle tunes. In particular, the "cross" position adopted by most blues players eliminates notes needed for these tunes. Also, the bending techniques needed for some notes are difficult in fast melodgies. The standard "Richter" harmonica tuning was developed for solo playing(not blues), to allow chords and melodgies to be played together. While some manage this style beautifully, it is difficult at high tempos.

To address these problems, and to play this wonderful music, I developed a different tuning system for diatonic harmonicas. This allows a playing style which more easily matches the swift tempos of Bluegrass and Irish players. The fiddle tunes on this recording, all from the traditional repertiores, use this modified tuning.

A word about the instruments. Based on the pioneering work of Joe Filisko, Australian maker Neil Graham has develped harmonicas which combine fast response with enormous power. These instruments easily prevail in demanding accoustic sessions, and are used in this recording.

01 Billy in the lowground (trad) 2:00
02 Girl I left behind (trad) 2:47
03 Drowsy Maggie/Merry Blacksmith/Crowleys Reel (trad) 2:20
04 Hewlett (OCarolon) 2:46
05 Black Mountain Tag (trad) 2:39
06 Kesh Jig/Morrisons Jig/Legacy Jig (trad) 3:03
07 George Brabazons Second Air (OCarolon) 2:24
08 Stoney Point (trad) 3:30
09 Toms Creek (trad) 2:23
10 Alabama Jubilee (trad) 2:41
11 Miss McCleods Reel/Dunmore Lassies/Morning Star (trad) 2:50
12 Erins share (trad) 2:08
13 Whiskey before Breakfast (trad) 2:04

Traditional fiddle tunes played on diatonic harmonicas
Recorded in Adelaide and Sydney. Australia, 2003.
www.harmonicatunes.com
www.kouqin.com.cn

小提琴曲调支撑着爱尔兰和美国传统音乐。岁月变迁,只有那些被人们认同的优美的曲调胜出并保留了下来,并为全世界的音乐家们所共享。小提琴曲调可以在许多乐器上演奏,例如以蓝草风格在曼陀铃、吉他和班卓琴(五弦琴)上演奏,也可以爱尔兰传统风格在长笛、管乐器和手风琴上演奏。

全音阶口琴(十孔口琴)通常因演奏蓝调音乐而为众人所知,并不经常用于演奏小提琴曲调。特别值得一提的是,许多蓝调乐手使用的交叉把位演奏消除了小提琴曲调所需的一些音符。同时,在快速的演奏旋律中,压音技巧也很难实现。

为了能解决这些问题,也为了能演奏这种美妙的音乐,Tony Eyers发展并形成了一种全音阶口琴的独特调音系统。这样可以更容易地吹奏快速旋律的蓝草音乐和爱尔兰音乐。专辑上的小提琴曲调全部取自传统曲调,并在这种调音全音阶口琴上吹奏。

关于乐器的一点说明,在前辈的工作基础上,澳大利亚乐器师Neil Graham定制高反映灵敏度口琴,同时具有震撼的音质效果。这种乐器广泛流行于使用原声乐器的乐队中,专辑中也使用了这种定制口琴。

01 Billy in the lowground (trad) 2:00
02 Girl I left behind (trad) 2:47
03 Drowsy Maggie/Merry Blacksmith/Crowleys Reel (trad) 2:20
04 Hewlett (OCarolon) 2:46
05 Black Mountain Tag (trad) 2:39
06 Kesh Jig/Morrisons Jig/Legacy Jig (trad) 3:03
07 George Brabazons Second Air (OCarolon) 2:24
08 Stoney Point (trad) 3:30
09 Toms Creek (trad) 2:23
10 Alabama Jubilee (trad) 2:41
11 Miss McCleods Reel/Dunmore Lassies/Morning Star (trad) 2:50
12 Erins share (trad) 2:08
13 Whiskey before Breakfast (trad) 2:04

传统小提琴曲调演奏于全音阶口琴之上
录制于澳大丽亚阿德莱德和悉尼
www.harmonicatunes.com  www.kouqin.com.cn

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